Aoyama Language Journal (List of Aoyama Language Journal Article Titles: Issue 26 - Issue 55)
Aoyama Language Paper Title List
Click on the issue numbers below to jump to the details of each issue.
Generally, papers are arranged in the order of [paper title] - [author].
| No. 55 | |
|---|---|
| Cherry blossoms in the Manyoshu and the sense of impermanence | Yasuhiko Komatsu |
| What is "Clambon" in Kenji Miyazawa's "Yama-nashi"? | Shunji Hioki |
| Yasunari Kawabata's "Door" - The Door to "Snow Country" - | Keiichiro Matsui |
| Kazue Shinkawa's depictions of plants: their metaphorical meanings and their role in war poetry | Madoka Fujimoto |
| A Study of Ryu Murakami's "Coin Locker Babies" ─The Destruction of "Landscape" and the Discovery of "Place"─ | Hinami Sakamoto |
| Doctoral, Master's and Graduation Theses Titles (2024) | |
| Grammar of humble language in modern Japanese: Including comparisons with classical Japanese and Korean | Jun Sawada |
| No. 54 | |
|---|---|
| Sending off Professor Hiroyuki Katayama | Izumi Sato |
| Professor Hiroyuki Katayama: Profile and list of achievements | |
| A Study of Koda Rohan's "Ten Short Pieces" - Between "Novel" and "Enlightenment" | Daisuke Yoshinari |
| Kikuchi Kan during the Renaissance Period: Popularizing Literature | Shinya Wakamatsu |
| Kan Kikuchi's "Patriotism" and Militarism | Isao Amikura |
| The role of Uchida Hyakken's "On the invariable endings of verbs" ─Relationship to national language policy─ | Yaeko Nishii |
| A Study of Jun Ishikawa's "The Millennium of Bliss" - A Novel that Questions History | Motoo Hokari |
| The Journey of a Publisher: Bunchosha and Takeo Ikezawa | Takeshi Kakeno |
| The creative techniques behind "Otogi Ningyo" ─ through its connection with the sources | Yuka Okajima |
| Geisha Kabuki and Hokan Kabuki Performances in Colonial Korea | Han Kyoko |
| From "A Certain Woman's Glimpse" to "A Certain Woman": Acquiring Expression of the Inner World through the Sense of Smell | Tang Mingyuan |
| The reception of Mushanokoji Saneatsu's "Friendship" among young people: Japanese language textbooks, children's books, and subculture | Wakasa Sonoda |
| What film brought to Kenji Miyazawa: Focusing on "The Restaurant of Many Orders" | Shunji Hioki |
| Representation of "Light" in Kuniko Imai's Tanka | Fumio Suzuki |
| Doctoral, Master's and Graduation Theses Titles (2023) | |
| Interpretation of the viewpoint in the English translation of Yasunari Kawabata's "Snow Country" | Jun Sawada |
| No. 53 | |
|---|---|
| Sending off Professor Yoichi Hijikata | Yuhiko Takada |
| Biography and list of achievements of Professor Yoichi Hijikata | |
| <Special feature on Middle Ages Literature> | |
| The narrative and songs in The Tale of Genji | Yoichi Hijikata |
| The Tale of Akashi and the Tale of Kashiwagi: Focusing on the issue of the Akashi no Nyōgo's son | Yuhiko Takada |
| Representation of fragrance in the Ume-eda chapter of The Tale of Genji: The significance of incense-matching | Tatsuyuki Takei |
| The Landscape of Takasue Sugawara ─What Illuminates the Sarashina Diary─ | Yuko Irie |
| Issues in the reading of the Sarashina Diary: Regarding the notes and kanmono in the Imperial Edition | Takeo Ogawa |
| The Position of the Manyoshu in the Reiwa Era: Focusing on Modern Discourse Analysis | Lauren Waller |
| Amateur Gidayuu Activities in Colonial Korea | Han Kyoko |
| Regarding the son of Oyamada Yoshikiyo: The relationship between Yoshikiyo, Seitono, and the library | Umeda Kei |
| From Ryunosuke Akutagawa's "The Spider's Thread" to Kenji Miyazawa's "Bare Feet in Light" | Shunji Hioki |
| Hyakken Uchida's "The Story of Soseki" - Is it possible to summarize "I Am a Cat"? | Yaeko Nishii |
| Ishikawa Jun's "New Interpretation of the Kojiki" - The Kojiki Story for Adults | Motoo Hokari |
| An examination of Mushanokoji Saneatsu's "Friendship" from its creation to its early reception: Creating a readership | Wakasa Sonoda |
| Research on the history of Japanese language education before and after the end of the war using digital archives: Focusing on Kimura Muneo | Yusuke Tanaka |
| Doctoral, Master's and Graduation Theses Titles (2022) | |
| <Special feature on Japanese language studies> | |
| (Revisited) Case of <Noun Phrase + Adverbial Particle> in Classical Japanese: The Actual Condition in the Heian Period | Masahiro Yamada |
| A Study on Guidance for Writing Student Reports | Emiko Matahira |
| On the memory-indicating use of the ancient language proximal demonstrative "kono" ─including a comparison with "kano," "ano," and "sono"─ | Jun Sawada, Tomoko Tada, and Junko Okada |
| Professor Yasuhiro Kondo's profile and list of achievements | |
| Dedicating Professor Yasuhiro Kondo | Jun Sawada |
| No. 52 | |
|---|---|
| Sending off Professor Shinichi Saeki | Keisuke Yamamoto |
| Professor Shinichi Saeki's profile and list of achievements | |
| Fujiwara no Shunzei and humour | Keisuke Yamamoto |
| The legends surrounding Asahina and the Asahina Monogatari: Exploring the formation of Asahina's "Hell-Breaking Tale" | Kazuya Sugiyama |
| A Study on the Newly Published "Bishamontenno no Honchi" | Ohtani Dai |
| The world of stories in "Kokisho" | Eisuke Nakano |
| The "dream" of medieval war stories as seen from early modern war stories | Keiko Takamura |
| On the expression of "technique" in literature: starting from "Hangan Tsuwa" | Masashi Meguro |
| Jippensha Ikku's Revenge Renga Kaidan: Introduction and Consideration | Asako Matsumoto |
| An Essay on Kunimi-uta: The "Poetics of Politics" in the Forty-first and Fifty-third Songs of the Kojiki | Shunsuke Nishizawa |
| Written form of waka poems in Teika's version of The Tale of Genji | Yoichi Hijikata |
| Representation of scent in the Sokaku chapter of The Tale of Genji: What the lingering scent of incense brings | Tatsuyuki Takei |
| A Study of Ryunosuke Akutagawa's "Hell Screen" ─Its Relationship with Joan of Arc─ | Shunji Hioki |
| 19th reprint and proof note (6) of “Tenchi Zuishoshi” owned by the Institute of Humanities, Kyoto University - “Fox” | Ai Yamazaki |
| The Tale of Go-Hou in Prewar Japanese Textbooks: A Study of its Educational Effects | Sun Shiwei |
| No. 51 | |
|---|---|
| A Study of the Imperially Commissioned Poetry Anthology of Medieval Japanese Poetry: On the "Miscellaneous" Section of Volume 7 of the "Zatsutai" (Continuation of the "Senzai Wakashu") | Keisuke Yamamoto |
| A Study of Ryunosuke Akutagawa's "The Death of a Missionary" - Concerning "Women's Power" | Shunji Hioki |
| Kan Kikuchi's "Bushido of Righteousness" and Militarism | Isao Amikura |
| On the binding of Tatsuo Hori's "Holy Family" - Pure binding and its future - | Matsumoto Mizuki |
| [Lecture] Grief and Poetry of Loss: Lamenting the Lost Child | Katsumi Fujiwara |
| On the change of verbs in modern Japanese | Shuuta Nakagawa |
| Interpreting the omitted subject in Yasunari Kawabata's "The Izu Dancer": An approach from literary pragmatics | Jun Sawada |
| Reexamination of the theory of Nagaya no O in the poem "The Crown Prince of Tang Dynasty" by Doji in "Kaifuso" | Sun Shiwei |
| No. 50 | |
|---|---|
| The historical facts and legends of "Mimizuka" and "Mimidou" | Shinichi Saeki |
| A Study of Dazai Osamu's "Run Meros" -On the Color Red- | Shunji Hioki |
| Is Mori Shigetoshi's theory of Manyogana actually the five vowel theory? | Naomichi Yasuda |
| Comparison of standard notation in textbooks and on TV | Shuuta Nakagawa |
| A Study of Jun Ishikawa's "Girl of the Alps" - An Allegory of Humanity | Motoo Hokari |
| Expressions of the sense of smell by Japanese writers in the Meiji and Taisho periods: through "fragrance" | Tang Mingyuan |
| The view of shogi expressed in Kan Kikuchi's "Joiuchi" - Commonalities with the Meijin tournament concept - | Yaeko Nishii |
| About the characters in "Twenty Unfilial Faithful Men of the Court" | Masae Fujikawa |
| No. 49 | |
|---|---|
| Listening to the words of the "Manyoshu" Eastern Songs and Defense Songs through the text: The creation of the eastern dialect | Saki Amano |
| Current status of theory on poems in The Tale of Genji: A memorandum of an interim report | Yoichi Hijikata |
| A Study of "The Tale of Tamamo-no-Mae" - With a Focus on Its Relationship with Chinese Literature | Wu Zhangjia |
| Comparison of Japanese and Chinese monsters | Minami Sato |
| Reexamination of the value of stories as classical teaching materials: Using Minakata Kumagusu's storytelling studies as a clue | Kazuya Sugiyama |
| Representations of fire in Izumi Kyoka's "Shu Nikki" | Mizuki Oshima |
| Saburo Masuno and Tagore's English Poems | Anna Nitta |
| Systematic Knowledge and the Aesthetics of Fragments: A Study of Jun'ichiro Tanizaki's "A Fool's Love" | Gregory Keznajat |
| On Ibuse Masuji's "Salamander" - On plausible lies - | Shunji Hioki |
| Continuity between prewar and postwar Manyoshu poems in Japanese textbooks: Concerning nature poems | Sato Orie |
| Variations in Tokyo's proper noun accents | Shuuta Nakagawa |
| No. 48 | |
|---|---|
|
Farewell to Professor Shinohara Susumu Professor Shinohara Susumu's profile and list of achievements |
Yoichi Hijikata |
| "The blueness of summer waking me up" - Dansui 2 Final Lecture | Susumu Shinohara |
| Bakin and Chushingura | Taeko Ohya |
| Documents related to Oda Nobunaga: "The Original Writings of the Founder of this Temple" - In relation to "Yomadai Poem" and "Azuchi-sanki" - | Shimada Daisuke |
| The relationship between "One Hundred Tales from Various Provinces" and Ukiyo-zoshi: focusing on Saikaku and Sagisui | Masae Fujikawa |
| The extant text of "Koshokubun Denju" and textual criticism | Kyoko Ohki |
| "Zashiki wa Hanashi" and Late-Night Meal Time | Fumika Fujii |
| A tentative essay on "Actor Color Scheme" | Yukiko Miyamoto |
| A Brief Review of "Shinsen Hyaku Monogatari" | Yuka Okajima |
| The structure and logic of the preface to the Kojiki | Izumi Yajima |
| On "Iro-gomi" in the Kojiki: A reexamination of "Iro-gomi" | Chumei Takeuchi |
| The experience of studying abroad in the United States and the United Kingdom and the literature of Takitaro Mizukami | Isao Amikura |
| A Study of Akutagawa Ryunosuke's "Rashomon" - About the Servant's Sword - | Shunji Hioki |
| Ishikawa Jun's "Otosibanashi" Theory: Focusing on "Otosibanashi Watounai" | Motoo Hokari |
| The Vietnam War and Keizo Hino: The meaning of "Flame" | Yuichi Ando |
| Categorization of phonetic morphemes: focusing on affixes | Kiyo Yamashita |
| Is Wang Zhaojun a "wise woman"? | Masami Ohgami |
| No. 47 | |
|---|---|
|
Dedicating Professor Hiroki Kazuto Professor Hiroki Kazuto's profile |
Shinichi Saeki |
| Bontoan's journey to the eastern provinces: Regarding the "Bontoan Do no Ki" | Hiroki One |
| The people who supported the Kamakura poetry circle of Prince Munetaka: Taking the poetry contest of 1259 as a clue | Tomohiro Sato |
| Tsurezuregusa: A Classic - Focusing on 17th Century Haikai | Asako Matsumoto |
| The Three-Ticket Conference in the Muromachi Period | Keisuke Yamamoto |
| The preface of the Shinpukuji edition of the Kojiki and the article on the relationships of the Emperors at the beginning of the second volume of the Tenno-ki | Izumi Yajima |
| Poets during the war and the Manyoshu: War and the Manyoshu through the New Poetry Collection "New Japan Adoration" | Yasuhiko Komatsu |
| Representation of Fragrance: On the Exchange between Genji and Hotarumiya in the Umeeda Chapter of The Tale of Genji | Tatsuyuki Takei |
| Male homosexuality in the Tale of the Heike | Shinichi Saeki |
| Various aspects of the law of giving gratuities | Mari Terao |
| Ordinary Person: Dansui | Susumu Shinohara |
| Mita Bungaku during the time of Takitaro Mizukami as its "spiritual director" | Isao Amikura |
| The World of "Ishimoto Kengyo" - Kikuchi Kan's Shogi | Yaeko Nishii |
| The "Suicide-Fought" Cherry Blossoms: Attsu Cherry Blossoms and Their Reception | Fuminori Uchimura |
| Poem about servants | Endo Seiki |
| On the phonetic morphemes "kyoku, cho, geki, baku" | Kiyo Yamashita |
|
--Special feature on the 50th anniversary Department of Japanese Language and Literature Celebrating the 50th anniversary of the Department Department of Japanese Language and Literature Essay commemorating the 50th anniversary Department of Japanese Language and Literature 50 Years of Department of Japanese Language and Literature |
Motoaki Muto |
| No. 46 | |
|---|---|
| The flat beginning and missing characters in the Shinpukuji version of the Kojiki | Izumi Yajima |
| One form of poems in the Tale of Genji: On the poems praising paintings | Yoichi Hijikata |
| Soseki's journey to the eastern provinces: with reference to Bontoan, Mashimo Mitsuhiro, and Kido Takanori | Hiroki One |
| Hojo Masamura and Waka: His Role in the Kamakura Poetry Circle | Tomohiro Sato |
| The Tale of the Battle of Han and Chu in "Taiheiki" - On the Reception of Yumeji's Suicide Scene - | Shota Yamaguchi |
| The work of the apprenticeship period - Two large woven crowns - | Susumu Shinohara |
| On Shiki Masaoka - On the poem "The wisteria flowers in a vase are short" | Shunji Hioki |
| The prototype of Xi Kang's thinking as seen in "The Bright and Dignified Treatise" | Masami Ohgami |
| A Study on the Tang Dynasty Legend "The Wedding Shop" | Endo Seiki |
| Archaic and proto-forms of day numerals and the Okinawa and Amami dialects | Naomichi Yasuda |
| Japanese Literature from a Thai Perspective | Preacher Panya Shayaporn |
| The challenge of prosody in translating The Tale of the Heike | Michael Watson |
| No. 45 | |
|---|---|
| The god Okuninushi in the Kojiki | Chumei Takeuchi |
| Rhetoric of Renga Tsukegoron | Mari Terao |
| Fuho Yogi from the Martial Arts Introduction Record | Susumu Shinohara |
| "Gozenogaya" and popular rumours | Yuka Okajima |
| Characteristics of the Kaidan Botandourou: A story of the connection between the living and the dead | Yukari Fujishima |
| On Kenji Miyazawa: From "Snow Crossing" to "Yama-nashi" | Shunji Hioki |
|
The idea of "The True Meaning of the National Polity" and Hisamatsu Senichi -The issue of how to enjoy the Manyoshu in modern times- |
Yen Takagi |
|
About the Chinese suffix "kei/ha" -Focusing on an analysis of derived words that describe people- |
Kiyo Yamashita |
| No. 44 | |
|---|---|
| The myth of Izanagi and Izanami and the fireside event of Little New Year | Naomichi Yasuda |
| Location of Tanedamaan | Hiroki One |
| A study of Haruto Ooka's Kyoka Rokkasen (working title) | Ohtani Dai |
| Continued: The perception of whales and sea bass in Japan | Kazuya Sugiyama |
| Transcription and introduction of "Wakoku Gunki" | Shinichi Saeki |
| In the name of Yawarimashi - A negative painting called Ichinaka | Susumu Shinohara |
| On Kenji Miyazawa: The image of the sun in the reception of the Lotus Sutra | Shunji Hioki |
| Perspective Grammar and Deixis: The Intersection of Grammar and Pragmatics | Jun Sawada |
| No. 43 | |
|---|---|
| Dedicating Professor Masami Ohgami | Izumi Yajima |
| Profile of Professor Masami Ohgami | － |
| --Special feature on Chinese literature-- | |
| Kang "Taishijin" method | Masami Ohgami |
| Yuan Shu in Jiangyan's "Mixed Poems" | Mayako Kidai |
| The Hermitage Thoughts of Shen Yue: Focusing on the Hermitage Biography in the Song Shu | Daigo Kitajima |
| Otomo no Tabito's "Yoshino Imperial Song" and "Early Spring Banquet Poem" | Li Manhong |
| Ruan Ji's Treatise on the Three Xuans -Before the Ecstasy of Unspoken Words- | Nozomi Waku |
| Yamanoue Okura and "Words of Will" | Yasuhiko Ogawa |
| The writer and reader of the Suma chapter of The Tale of Genji - with reference to the princess in the fifth section | Yoichi Hijikata |
| Various Aspects of "Rhymed Waka" | Hiroki One |
| Perception of whales and herring in Japan | Kazuya Sugiyama |
| A story beyond the plot: The expressive structure of "Shin Kasho-ki" | Susumu Shinohara |
| Revisiting Kenji Miyazawa's "Yama-nashi" | Shunji Hioki |
|
The birth of "The Eyes of a Salaryman" and "The Eyes of a Writer" -The development of Takitaro Mizukami's "Salaryman Novel"- |
Isao Amikura |
| The Todaiji section of the Sanbo Ekotoba and its text (5) | Naomichi Yasuda |
| Overview of research on Chinese affixes in modern Japanese | Kiyo Yamashita |
| No. 42 | |
|---|---|
| Sending off Professor Yasuda Naomichi | Masami Ohgami |
| Brief biography of Professor Naomichi Yasuda | － |
| 40 Years of Numerology Research | Naomichi Yasuda |
| About the BCCWJ Compound Dictionary | Yasuhiro Kondo |
| Japanese Vocabulary Learning: Teaching Material Analysis and Lesson Plans for Intentional Learning | Kiyo Yamashita and Junko Okada |
| Case of noun phrase + adverb phrase in classical Japanese | Masahiro Yamada |
| The information conveying function of aspect: focusing on the "ta" and "teir" forms | Atsuo Son |
| On the listener's response expression "I see" seen in the OPI (Oral Proficiency Interview) | Naoko Tsuchiya |
| The concept of adverbial particles and the concept of special particles | Tomoko Tada |
| A man in the prime of his life: the image of a hero in the Kojiki | Izumi Yajima |
| Senkaku's Textual Revision: Through the Textual Revision of Volumes 1 and 2 of the Manyoshu | Yasuhiko Ogawa |
| The Tale of Genji and Fallen Leaves | Yuhiko Takada |
| Thoughts on "Hitotsuhachisu" | Shinichi Saeki |
| Gensei: A renga poet who inherited the style of Sogi | Hiroki One |
| A consideration of cleaning the Tomomori boat in the Tale of the Heike | Mutsumi Tamura |
| The formation of Utamakura in Utamakura-sho: The Godaishu Utamakura and famous places of the same name | Masae Kamura |
| Saikaku's Unconscious: On the Eve of "Yakazu Haikai" | Susumu Shinohara |
|
Aoyama Gakuin University Library Collection Catalog of Edo Literature |
Taeko Ohya, Mariko Iwata, Yuka Odashima, and Mamoru Ono |
| The lonely double: Kubota Utsubo's poetry writing method | Shunji Hioki |
|
A Study of Takitaro Mizukami's "Mononofunomichi" - The Triple Alliance in the 2600th year of the Imperial Era Criticism─ |
Isao Amikura |
| No. 41 | |
|---|---|
| On the poems of Emperor Mommu and Prince Nagaya's visit to Yoshino: On poems 74-75 of the Manyoshu, Volume 1 | Chumei Takeuchi |
| Autumn leaves at Unrin-in Temple: Waka poems in the Tale of Genji | Yoichi Hijikata |
| The Creation of the Demon Image | Manami Sonobe |
| The Myth of the Blue Stigmata: The Location of the Ukiyo-zoshi "Wakan Noriaisen" | Susumu Shinohara |
|
[Research Note] The works of Renoir that Akutagawa Ryunosuke encountered On the mistakes made by the two Renoirs, "Paul" and "Auguste" |
Misaki Amemori |
| A Study of Takitaro Mizukami's Dramas: The Mystery of His Blank Period | Isao Amikura |
| Background of Yokomitsu Riichi's "Sleeping Garden" | Shunji Hioki |
| On Yokomitsu Riichi's "Letters" - The logic of "collaboration" | Ryoichi Sato |
| Ishikawa Jun's "Shion Monogatari" - Refusal to Forget | Motoo Hokari |
| On Shinkichi Hashimoto's unpublished manuscript "An introduction to the study of ancient kana usage" | Naomichi Yasuda |
| The meaning of the syllable suffixes "shiki, fu, teki" - prototypes and schemas | Kiyo Yamashita |
| No. 40 | |
|---|---|
| Yon (four) and Nana (seven) | Naomichi Yasuda |
| Issues and Prospects in the History of Research into Volumes 11 and 12 of the Man'yoshu | Yuki Tochio |
| Linked verse gathering with Soseki, Shinkei, and Senjun | Asako Matsumoto |
| A study of late Ukiyo-zoshi: Kiho and Ippo | Susumu Shinohara |
| Kyoden, Bakin and "Rui" | Taeko Ohya |
| A Study of Haruo Sato's "The Spanish Dog's House" - Focusing on the Techniques of Fantasy Literature - | Saki Oikawa |
| On Yokomitsu Riichi's "Night Shoes" - The development of the "I" in the postwar period | Ryoichi Sato |
| On Osamu Dazai: From "Run, Meros" to "Tsugaru" | Shunji Hioki |
| No. 38 | |
|---|---|
| The Wind Blows in the Tale of Genji, Chapter 14 | Chiaki Sugimura |
|
On Renga Kaishi - Based on the Imperial Household Agency Archives and Mausolea Department Zogo Tsuchimikado Dairi Renga Kaishi - |
Hiroki Kazuto |
|
The restoration of the Nijo school in the early Muromachi period -- Etiquette at waka gatherings -- |
Keisuke Yamamoto |
| Notes on "Furyu Yamato Zhuangzi" - Revisions to the woodblock prints - | Susumu Shinohara |
| Various versions of "Tales of Foreign Countries" and their evolution (3) Character illustrations and Nara picture books | Kyoko Ohki |
|
The suffering of Tomoo Nagasawa -Before and after the attempted poisoning of Kano Shohei- |
Kamei Mori |
| A short essay on "Mito Komon Travelogue" | Shimada Daisuke |
| Re-reading "Edo Raw Sexy Kabayaki" | Junichi Hiyama |
| The later years of Ichikawa Monnosuke III | Yuko Hiyama |
| "Muto Library (tentative title)" Catalog | Masae Fujikawa |
| A Study on the Dialect Description of Yamate Bakabito | Fumika Fujii |
|
"Inkstone of the Future" --Regarding the saying "imitation is like a monkey taking a bath"-- |
Yuka Okajima |
| A Study of "Okinakusa" by Itami Tsubakien | Mizuki Kamiyama |
| A brief review of "New Engagement Story Spring Nap" | Makiko Kuroda |
| The human interest story "Plums in the Spring Evening Moon" and the prohibition of daughter joruri | Sasaki Tsunae |
|
Hayao Miyazaki -Network of embodiment- |
Shunji Hioki |
|
On the Entry into Port Arthur - Hyakken Uchida's fictional consciousness - |
Yaeko Nishii |
| No. 37 | |
|---|---|
|
Writing in the first person -Additional notes to "Vocal Range of Diaries" (tentative title)- |
Yoichi Hijikata |
| The Age of Anti-Novels: Between "Iro Shamisen" and "Kyoku Shamisen" | Susumu Shinohara |
|
Yokomitsu Riichi and "Hell" --The chaos of poetry and prose in the early Showa period-- |
Shunji Hioki |
| A short essay on Nakajima Atsushi's "Disciple" | Tomoko Matsushita |
| On Haruki Murakami: The emergence and evolution of psychological discourse | Megumi Kakegawa |
|
Diachronic Changes in "beku" - From deontic to epistemic - |
Eriko Seno |
| [Material introduction] About "Amorous Beauty Sumo" | Masae Fujikawa |
| [Research Note] Self-introduction teaching method in Japanese expression education | Emiko Matahira |
| No. 36 | |
|---|---|
|
Altering the Manyoshu poems based on familiarity - Regarding the "Manyoshu" in the "Kokinshu" - |
Yasuhiko Ogawa |
| The Function of Glimpse: The Relationship between the Discourse Function and the Narrative Development in the Tale of Genji's Hashihime Chapter | Takaaki Ohrui |
| Read "The Major General who Picks Cherry Blossoms" |
Fiscal year 2004 Seminar on "The Tale of Chunagon Tsutsumi" |
|
Did the group have writing implements? - The reality of Renga and Haiku recitals - |
Hiroki Kazuto |
| A part of the reception of pottery poetry in the Six Dynasties | Atsuko Furusawa |
| The Year 5 of Showa in Yokomitsu Riichi | Shunji Hioki |
| The Semiotics of Godzilla | Yoichi Hijikata |
| [Lecture Record] Yoshitsune's Battles - Centered on the Battle of Ichinotani - | Yoshikazu Kondo |
| [Report] On the Minamoto no Michifuku's handwritten version of the 54th chapter of "The Tale of Genji" held at Aoyama Gakuin University Library | Used Graduate Student Group |
| No. 35 | |
|---|---|
| The God Omononushi from the Kojiki | Izumi Yajima |
| The World in "Soshi" - The First Person in "The Pillow Book" - | Yoichi Hijikata |
| Renga as a Literary Form in Kaiseki: With Reference to the Emergence of Renga Writing and Writing Etiquette Books | Hiroki Kazuto |
| Changes in conversational style notation in rakugo books: focusing on Edo short story books from the An'ei period | Fumika Fujii |
| A Study of Akutagawa Ryunosuke's "Rashomon" | Shunji Hioki |
| On Kim Saryang's "In the Light" - Layers of Differences - | Azusa Itoi |
| <Report> Japanese Language-related Departments in Korean Universities: A Case Study of the Department of Japanese Studies at Keimyung University College of International Studies | Naoko Tsuchiya |
| No. 34 | |
|---|---|
| The Reign of Emperor Tenchi as the Origin of the Man'yoshu: The Creation and Editing of Volume 2 (Part 1) (The Man'yoshu as a Book) | Yasuhiko Ogawa |
| The Narrative Method of the Tale of Genji's Goho-maki Chapter | Chiaki Sugimura |
| Expressions regarding military class in the "Jokyuki" - Focusing on the Jikoji and Maeda versions - | Yasunori Kondo |
| Renga lovers in the early Kamakura period and Nara - Considering their connection with the author of "Naraha Wakashu" - | Asako Matsumoto |
| Phrases about travel found in the "Kirari Renga" verses in the Shinsen Tsukubashu: "Departing on a journey," "Parting the fields," "Traveling companions," etc. | Hiroki Kazuto |
| "The 25-Day Ban on Kaiseki" and Renga Treatises - The Relationship with Treatises by Yoshimoto, Soseki, Shinkei, Sogi, and Kanenari - | Nakamura Nami |
| The Man Who Could Not Cross Hakone: "Taipei Koku Onridan" and Its Surroundings | Susumu Shinohara |
| Notes on human interest books (2) | Motoaki Muto |
| "Kachikachiyama" memo - From type A to type C - | Izumi Yajima |
| A Study of Ryunosuke Akutagawa's "Tekken" - In the midst of imperialist discourse - | Hidemi Kanda |
| From Shichi (Seven) to Nana: The Establishment of Nana in the Chinese Numeral Series | Naomichi Yasuda |
| Vocabulary teaching in Japanese language education - Focusing on teaching syllable suffixes - | Yamashita Kiyo |
| Jian'an Literature and Heisei Literature (Lecture Transcript) | Kozo Kawai |
| No. 33 | |
|---|---|
| Farewell to Professor Sokura |
Motoaki Muto |
| Professor Sokura's biography and chronology of works | － |
| Song from the Manyoshu Volume 13 "Heihaku o" | Sokura Mina |
| A Study on the Kibitsu-uneme Elegy: Based on the Final Form of Nagauta | Kazuhiko Takeo |
| On the pillow word "Natsumahiku" - from the perspective of a hemp producing region - | Kazuko Yamaya |
| On the character "sou" in the Manyoshu - Between the kanji and the kun-kari characters | Hideshima Miho |
| A Study of the Rumored Poems of the Manyoshu - Focusing on Volumes 11 and 12 | Yuki Tochio |
| "Shimo" and "Ura" in the abbreviated form of Hitomaro's poetry collection | Izumi Yajima |
| Fictional Love: The Role of Fujiwara no Yukinari in "The Pillow Book" | Yoichi Hijikata |
| The Study of Sound - The World of Siddham Studies - From the Second Volume of the "Siddham Jijisho" (Owned by Zuishin-in Temple) | Masumi Shimizu |
| Poems with extra characters and their consciousness in the early medieval period - focusing on Jien, Gotoba-in, and Teika | Keisuke Yamamoto |
| Moritoshi's ears and head - A personal note to the Enkeibon version of the Tale of the Heike, "The Killing of Moritoshi, the Chief of the Etchu Army" | Shinichi Saeki |
| My personal opinion on "Saru no Soshi" - About the "Renga Kaisekizu" and other things - | Hiroki Kazuto |
| After "Eikōshi" - An Introduction to Early Reading Book Theory | Susumu Shinohara |
| Rohan Koda as a professional writer: focusing on his historical writings and critical activities | Daisuke Yoshinari |
| A Study of Jun Ishikawa's "Poverty Mondo" (2) -On its Relationship with the Works of Rintaro Takeda- | Shinya Wakamatsu |
| A Study of Dazai Osamu's "Gyofukuki" - "Bonju Mountains" and Girls - | Hisashi Noguchi |
| The theory of human nature in the "Five Classics of Justice"-its relationship with the Yin-Yang philosophy | Akiko Takahashi |
| Master's and Graduation Thesis Titles (2002) | － |
| No. 32 | |
|---|---|
| Anti-reading constructions in the abbreviated poems of Hitomaro's anthology | Izumi Yajima |
| Uncomposed Waka Poems: Subscription to The Pillow Book | Yoichi Hijikata |
| Poems with extra characters in Heian waka poetry | Keisuke Yamamoto |
| Reconsidering the Flower Poem | Hiroki Kazuto |
| A series of "Man no Buntanko" | Susumu Shinohara |
| Catalog of Ukiyo-zoshi-related materials housed at Aoyama Gakuin University | Masae Fujikawa |
| Read "Kana Monogatari Musume no Setsuyo" | Junichi Hiyama |
| Segawa Kikunojo V until Bunsei 3 | Yuko Hiyama |
| Chuuya Ascension | Akira Yamada |
| Atsushi Ishikawa's "Poverty Questions and Answers" Theory | Shinya Wakamatsu |
| From shi (four) to yon | Naomichi Yasuda |
| On interrogative words in Edo language | Yoko Ono |
| Aspects of Continuation | Son Atsuo |
| Master's and Graduation Thesis Titles (2001) | － |
| No. 31 | |
|---|---|
| Dedicating Professor Akira Yamada | Hiroyuki Katayama |
| Professor Akira Yamada's biography and chronology of publications | DEPARTMENT OF JAPANESE LANGUAGE AND LITERATURE |
| Professor Takeshi Nagato passes away | Hiroyuki Katayama |
| Professor Takeshi Nagato's biography and chronology of publications | DEPARTMENT OF JAPANESE LANGUAGE AND LITERATURE |
| Research into the God of Form and Shadow - Mei Touen Appraisal 1 | Akira Yamada |
| "Silence" Notes - Akie from his early days as an apprentice | Prince Sasase |
| Ryunosuke Akutagawa's "Horse's Feet" Notes: The "self" being dismantled, the "self" being constructed | Abe Toshiyuki |
| Kikuchi Kan: A Brief History of the Spirit of Literature - Up to the Mediocrity of Writers | Hiroyuki Katayama |
| Ishikawa Jun's "Kajin" - The demands of the "I" in the contemporary era | Shinya Wakamatsu |
| "My back to Shioyuki" - What Princess Tajima wanted - | Aiko Kaminaga |
| The "writing" subject in The Pillow Book: On the chapter "Oshirakawa Hachiko" | Yoichi Hijikata |
| Possessing Evil Spirits: A Study on Tengu and Vengeful Spirits in War Stories | Shinichi Saeki |
| Monthly Renga Gathering of the Go-Tsuchimikado Imperial Family | Hiroki Kazuto |
| A Study of "The Tale of Mizochi" - The Possibility of Local Tradition | Asako Matsumoto |
| Catalog of "Edo Gisaku Materials" held at Aoyama Gakuin University Library | Masae Fujikawa |
| Han Yu's Theory of Nature and Literature | Akiko Takahashi |
| Number 30 | |
|---|---|
| On Quotation Expressions in Modern Japanese | Junko Suzuki |
| A syntactic study of hesitations using a dialogue corpus | Naoko Tsuchiya |
| The presence or absence of Buddhism in the first volume of "Sasamegoto" - A question about the theory that waka and Buddhism are one and the same | Hiroki Kazuto |
| Thoughts on "The Tale of Mizochi" | Shinichi Saeki |
| The "Yami" of Ukiyo-zoshi: Discussing Umezono's novels and extending to "Ichidai Otoko" | Susumu Shinohara |
| Thoughts on "The Snake that Became a Thousand Years Old" | Junichi Hiyama |
| Han Yu's "Emotion" - The Autonomy of "Emotion" in "Original Nature" | Akiko Takahashi |
| Aoyama Gobun Issue Summary (1st Issue - 29th Issue) | DEPARTMENT OF JAPANESE LANGUAGE AND LITERATURE |
| No. 29 | |
|---|---|
| Farewell to Professor Hideaki Horiuchi | Naomichi Yasuda |
| Mother of Michitsuna and the Other World - A tour of Mimiraku Island, the Mountain of Death, and Sakuna Valley - | Hideaki Horiuchi |
| Winter Thoughts | Sokura Shin |
| Phonetic aspects of the abbreviated notation of Hitomaro's poems | Izumi Yajima |
| A Brief Study of the "New Tale of Genji Picture Scroll" - "Tamakazura" - | Masami Akatsuka |
| A Brief Thought on "Asamidori" | Masumi Yoshida |
| The Creation and Tradition of "The Tale of the Heike" and Mount Shosha: The Belief in Sutra Recitation, Musical Arts, and the Place of Memorial Service for the Dead | Masumi Shimizu |
| Priest Soshun and Tachibana Shigeki - The Kujo family, renga verse and biwa - | Asako Matsumoto |
| On the "Story of the Six Paths" in the Middle Ages - Two types of documents in the possession of Shomyoji Temple - | Hidenori Nakajima |
| The participants of the "10,000 Renga Poems in a Day at Kitano Shrine in the 5th Year of Eikyo" - About the seats of the head priests - | Hiroki Kazuto |
| Transcription of "The Tale of Mizochi" | Shinichi Saeki |
| “Honcho Nijufuko” – Forest of Representations | Susumu Shinohara |
| How Danjuro's portrait was used in Kyoden Kibyōshi | Junichi Hiyama |
| Reconsidering "Hell Screen" - Images that are never depicted - | Abe Toshiyuki |
| A tentative essay on Ryunosuke Akutagawa's "Mother" - tricks and techniques in a work that aims for the "unknowable" | Hidemi Kanda |
| On Liu Ling: The Phases of Life and Literature | Masami Ohgami |
| From Misomoji Amarihitomoji to Misomoji | Naomichi Yasuda |
| The subject indications "ga" and "no" in "Zoku Kyogenki" - A comparison with "Okura Toraakirahon Kyogen" and "Kyogenki" | Masahiro Yamada |
| A new perspective on Japanese aspect research: On "change" as one of the meanings of the auxiliary verb "ta" | Son Atsuo |
| No. 28 | |
|---|---|
| About Hitomaro's "Otome" | Hideshima Miho |
| What can be read into Yugiri's university entrance ceremony? | Masumi Yoshida |
| The members of the "10,000-verse renga poem a day at Kitano Shrine in the 5th year of the Eikyo era" - About the nobles' seats | Hiroki Kazuto |
| Noise and Ukiyo-zoshi - The Inner Nanrei | Susumu Shinohara |
| Location of "Spring Colors of Minato Flowers" | Motoaki Muto |
| A Short Study of "The Dying Mother" - On "Contemplation" and Its Expressions - | Xu Wenqing |
| The Noesis of Narration: On the Creation and Shift of "The Smile of God" | Abe Toshiyuki |
| "Born Worries" Theory - <Unrivaled Perfect Youth> | Kiichi Watanabe |
| "Depth" and its path to "humanity" - Centered on Ango Sakaguchi's "Depth" | Takuro Horikawa |
| Marriage in Qilu as seen in the "Zuo Zhuan" - Wen Jiang and Qi Jiang - | Yuko Suzuki |
| The advance of the subject marking "ga" into the "no" domain in "Kyogenki" - A comparison with "Okura Toraakirahon Kyogen" | Masahiro Yamada |
| Interrogative Expressions in "Shunshoku Umeji Hombi" - Negotiations between the Forms of "Question" and "Doubt" | Yoko Ono |
| About the phonetic morpheme "~kaze" | Yamashita Kiyo |
| About the text of "Kaden" held at Kochi Prefectural Library | Izumi Yajima |
| No. 27 | |
|---|---|
| The History of Irihiko and the History of Tarashihiko | Izumi Yajima |
| On the Saimeiki "Elegy of King Ken" - Similar poems and their authors | Aiko Kaminaga |
| The World of Nohsugu - Centered on Emperor Goshirakawa and his close aides - | Masumi Shimizu |
| A study of monthly renga poetry gatherings: from an article in the Kanmon Diary | Hiroki Kazuto |
| The Self and Method in "Danshoku Taikan" | Susumu Shinohara |
| "Twenty Unfilial Faithful Men of Japan" as Stories from Various Provinces: Focusing on Volume 1, Part 3, "The Remains of a Leather-Cut Chest" and Volume 4, Part 2, "The Tip of a Brush Leaving on the Pillow" | Masae Fujikawa |
| A Brief Study of "Light and Darkness" - About Kiyoko's Form - | Kei Sasaki |
| An essay on "The Water of the River" - From "Lyricism" to "Language" | Abe Toshiyuki |
| A Study of Ryunosuke Akutagawa - The Time of Purple Sparks in Ryunosuke Akutagawa - | Yuko Doi |
| On Shen Yue's "Eight Poems" | Mayako Kidai |
| Li Bai's "Mindless" and "Compassionate" | Akane Shirahata |
| Ka, zo, yara used in indefinite expressions in Edo language | Yoko Horizaki |
| The Subject Indication of "Ga" and "No" in "Okura Toraakira Kyogen" - From the Viewpoint of Treatment, Syntax, and Predicate | Masahiro Yamada |
| The function of the phonetic morpheme "-shiki" | Yamashita Kiyo |
| No. 26 | |
|---|---|
| greeting | Masanobu Fukamachi |
| Commemorating the 30th anniversary of the Department of Japanese Language and Literature | Hideaki Horiuchi |
| One aspect of the Man'yoshu Soumon - Two shadows of "death" | Aiko Kaminaga |
| "Yodo" and "Yodomu" in the Manyoshu | Hideshima Miho |
| On the Kotokafu | Izumi Yajima |
| Two poems by Ono no Takamura | Yoichi Hijikata |
| A Brief Review of the "Iseshu" | Hideaki Horiuchi |
| On the episode about Asagao-zensaiin in the opening chapter of the "Tale of Genji" | Masumi Yoshida |
| Thoughts on the reception of "Hashihime of Uji" | Kimie Itoga |
| Two Narusei about Michiie Kujo - About the author of "Kokin Chomonshu" - | Asako Matsumoto |
| Outlines of the final revision of the four-part Tale of the Heike | Shinichi Saeki |
| A Study of Zokuka: Similarities with Renga and the Place | Hiroki Kazuto |
| Notes on "Five Amorous Women" (Volume Five) | Susumu Shinohara |
| Thoughts on fools | Shimada Daisuke |
| The Idea of "Flower Quarter Sakura" - Reexamination of Hanayamajin - | Motoaki Muto |
| Thoughts of the Head and the Body - On "Maihime" - | Akira Yamada |
| Notes on "Black Cat" by Kyoka Izumi - The Shape of Love | Masashi Yoshida |
| A Study on the Changes Made to "Life" | Kei Sasaki |
| The Phases of the Kikuchi Kan-Manto Incident: Based on the Letter to Nagasaki Taro | Hiroyuki Katayama |
| Kikuchi Kan's Two "Irafuda" - On the dramatization of the novel - | Keiko Yanagawa |
| Shizuo Ito: Breaking Away from the "Empty Bathtub" | Takeshi Nagato |
| Bibliography of Japanese Number Studies (2) | Naomichi Yasuda |
| The Life and Literature of Ruan Ji and Xi Kang | Masami Ohgami |
| Shen Yue, Shan Tao, and Wang Rong: On the Criticism of "The Seven Sages of the Bamboo Grove" | Mayako Kidai |
| Thirty Years of Department of Japanese Language and Literature | DEPARTMENT OF JAPANESE LANGUAGE AND LITERATURE |
